Product Details

Product Information

It has been a popular request for more matt colours, so we have developed a themed set of matt glazes that showcase the range of colours that can be obtained.

Our true matt surface is smooth and silky to the touch and incorporates micro-bubbling, which gives them their matt appearance. This contrasts with the underfired glazes sold as matt, which have a rough surface, hence the name true matt.

These glazes are available until the end of December 2025. The most popular colour will become part of our permanent range.

Order before the promotion ends to avoid disappointment.

Firing Range

1222°C to 1280°C (Cone 6 to Cone 9).

The sample shows two applications on Vitraclay White Throwing Clay, fired to 1240°C.

Working Notes

The colourants used in this series include cobalt carbonate, copper carbonate, nickel oxide, and rutile; therefore, we advise that the coloured matts are not suitable for food-bearing surfaces. The white matt contains no colourant, but we have not tested it for resistance against acid. Please read our food safety advice.

If using the white matt as a base for your own colourants, please note that zinc can weaken colourants such as chrome and iron.

Experiment with the application thickness, as the two colours Smoky Mint and Obsidian Blue can easily turn black. The chemistry of this glaze has more zinc than boron, which can be beneficial if you desire fast firing.

If preparing from powder and applied too thickly, it will likely crawl on very absorbent surfaces. We suggest adding a little CMC to slow the drying process.

These notes are continuously reviewed so please send us your feedback.

Health & Safety

Vitraglaze is lead free and non-toxic.

Good housekeeping is essential in any pottery studio to minimise inhalation of silica dust.

Always clean up with a damp sponge and if any dust is airborne, such as when mixing powder glazes, wear an FFP3/P3 mask and filter.

Click here for information on food safety.

Preparing a Powder Glaze

Always wear a mask when mixing powdered glaze.

Dipping and pouring mixtures need to be tested on samples before being applied to final wares.

This method of application requires an understanding of the behaviour of liquid slurries on absorbent clay bodies, as results can vary for many reasons. Because of this, it is impossible for us to guarantee your wares will fire to the same colour advertised. Here is some useful further reading.

A useful tip is to use less water in the beginning as you can always add more. After mixing with water, use an 80 mesh sieve for stoneware and a 60 mesh sieve for earthenware.

For more about a dipping glaze, read our general advice.

Applying a Brush on Glaze

Remove glaze from the pot, stir and agitate the glaze in a larger container, make sure all the material is mixed thoroughly.

Whilst keeping the glaze moving, dip your brush and hold it sideways to keep the material evenly distributed.

Apply using confident dabs, move the liquid around and work quickly and smoothly.

2 to 3 applications could be needed so allow to dry between coverings.

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
×